Vitaliya Shorokhova’s GreenArt Island 300 l is a work of living art, not just an aquarium. This 300-liter marvel, which combines style and functionality to perfection, presents a calm underwater environment that appeals to novice and experienced divers alike.
Renowned for her inventive approach to aquarium design, Vitaliya Shorokhova has created an environment where marine life coexists peacefully with tastefully chosen plants and furnishings. The goal of GreenArt Island is to create a balanced ecosystem that brings a little bit of nature indoors, not just fishkeeping.
In addition to its size, this aquarium is notable for the meticulous attention to detail that goes into every aspect of its design. Every component, from the arrangement of the rocks to the selection of plants, works together to create a visually stunning and calming space that calms the mind and spirit.
- Description
- Light mode
- External filters
- C0 balloon system 2 with electromagnetic valve
- Materials and decorations
- Soil
- Stones
- Driftwood
- Water
- Plants and living population
- Care and Maintenance
- How the Peninsula was born
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Description
- Open aquarium (without lid) made of unclarified glass Opti float (12 mm thick). Seams made of transparent silicone.
- Volume 300 l.
- Dimensions of the aquarium 120x50x50 cm
- Lamps Aqua Medic Cube 50 plant 2 pcs with controller
Light mode
-
12:00-17:00 operation at full power
External filters
- Eheim eXperience 350 (Germany), capacity 950 l/h
- Dici 1200 (China), capacity 1200 l/h
C0 balloon system 2 with electromagnetic valve
-
Flow-through glass diffuser
-
CO2 supply daily from 10:00 to 17:00
Materials and decorations
Every element, including the decorations, is natural.
Soil
-
ADA La plata sand fine (neutral). Later, ordinary quartz sand with a fraction of 1-2 mm was added.
-
Sometimes, nutritious soil (soil) is used in wabi kusa and coconut pots
Stones
- Brown volcanic lava. Increases carbonate hardness by 3-4 degrees
Driftwood
- Roots of coniferous trees from forests near Moscow
Water
Completely refined using a reverse osmosis filter. There is no remineralizer added. Lava minerals are adequate for the mineralization of osmotic water.
Plants and living population
This aquarium’s plants are all arranged in three different ways.
-
Planting in wabi kusa.
-
Planting in aquasoil in coconut pots.
-
Plants are tied to stones and driftwood.
The following are members of the aquarium’s living population:
In a community aquarium, Sterba Corydoras and Berlin Swordtails consistently breed.
Vitaliya Shorokhova’s GreenArt Island 300 L is an exquisite aquarium arrangement that blends cutting-edge design with a lively, flourishing aquatic setting. It’s an excellent option for novice and expert aquarists who want to establish a lovely and long-lasting underwater ecosystem in their houses.
Care and Maintenance
The upkeep of an aquarium involves changing 20% of the osmotic water every two weeks and cleaning the glass once a month to prevent fouling.
During water changes, the soil is siphoned off once every two to three months. Alternaterra Reineke is the only aquarium in which trimming is appropriate. Once every six months, or less frequently, other plants are thinned out due to their extremely rare growth.
The most uncommon procedure is external filter maintenance. I only clean the external filters when I see a discernible drop in productivity. This occurs roughly once every year. I only ever clean one external filter at a time, never the two at once, to avoid upsetting the biological balance.
Dry food is fed to fish and shrimp as part of aquarium maintenance, and daily applications of micro fertilizers and iron are made. I currently use Sicce, an Italian fertilizer.
How the Peninsula was born
I get visits from the idea of redesigning the aquarium every six months to a year or so. I’ve had this idea to redesign the aquarium for a while, but I’ve never actually gotten around to doing it.
Most likely as a result of my unclear mental image of the new design.
I never know what will come out of a new design, by the way; the outcome shows itself over time.
However, regardless of my efforts, the outcome is consistently an island. I just so happened to become attached to this look and can’t shake it. Most likely as a result of the dearth, or rather total absence, of art education.
As is often the case, fate was mostly at play. In May of 2019, I unintentionally ended up in the forest. It’s a captivating start. similar to a criminal thriller? I didn’t have any equipment on me because I actually ended up in the forest by accident. However, this didn’t stop me from carrying out a plan that just came to me.
I made the decision that, since I was in the forest, I had to seize this unique opportunity and that, in order to find a snag for my redesign, I had to go there. I had the strange impression that the snags would be sporadically located, giving them enough time to emerge and determine which is more intricate.
It was true that there was gorgeous driftwood in a variety of sizes. They made me feel ecstatic right away. When I took a closer look at these driftwood, the joy vanished. They probably lay there for a very long time waiting for me to come get them. Far too long. As a result, they were all found to be rotten and crumbled easily.
However, at that point, my excitement had just started to surface, so I ventured out into the wilderness to find driftwood that would work well in an aquarium. It didn’t take me long to realize that none of them were appropriate. Actually, there was more accurately this: deep in the earth, these were the roots of downed trees.
It was at this point that I realized I should have brought a sandbox scoop. Whatever the case, three hours of perseverance work wonders! I removed five or six gnarly pieces of driftwood. I concluded that these were the roots of coniferous trees based on the fact that the forest was coniferous.
At the end of May, I began work on the redesign. To put it gently, not everyone was on board with the new design’s concept. In actuality, this was the idea. Initially, I intended to determine whether raw coniferous snags collected from the forest were suitable for aquarium decoration.
That is, raw—that is, not cooked or stripped of its bark. Second, I constructed the island’s framework out of these snags, to which I affixed plants and vabikus. Since I never do that, there was no intention to instantly green the entire area.
I enjoy observing the aquarium’s growth, and if it is planted all at once, the development is invisible. in the first part of June 2019. The first draft was completed. Even though there was a lot of hate, I don’t feel it?
I started to move the composition to the right as the plants grew—most of them very slowly. More accurately, to keep going because there was a lot of open space rather than to move. I slowly drifted away from the idea of the Island without noticing. The image started to take on the appearance of an undefined jungle with no distinct borders.
I became aware that this was no longer an island when I woke up one morning. Is that a peninsula, then? Since this design is almost a year old, a new one is probably on the horizon.
| Feature | Description |
| Aquarium Volume | 300 liters |
| Designer | Vitaliya Shorokhova |
| Type | Planted aquarium |
| Main Plants | Anubias, Java Fern, Cryptocoryne |
| Fish Species | Neon Tetras, Otocinclus, Angelfish |
| Lighting | LED, adjustable intensity |
| Filtr |
Vitaliya Shorokhova’s GreenArt Island 300 l aquarium is a fantastic addition to any area thanks to its amazing combination of design and functionality. Its capacity to produce a healthy environment for plants and fish, guaranteeing a thriving aquatic ecosystem, is equal to its aesthetic appeal.
The meticulous attention to detail in its construction, from the premium materials to the well-considered design elements that simplify maintenance, is what distinguishes this aquarium. Vitaliya Shorokhova’s experience is evident in every facet of the GreenArt Island 300 l.
A good option for anyone looking to buy an aquarium that blends style and functionality is the GreenArt Island 300 l. It gives a room a more enduring aesthetic while simultaneously offering its occupants a sustainable place to live.
